I’m okay with that.
I feel that is better than being full of other people.
circumhorizontal arcs photographed by (click pic) david england, andy cripe, del zane, todd sackmann and brandon rios. this atmospheric phenomenon, otherwise known as a fire rainbow, is created when light from a sun that is at least 58 degrees above the horizon passes through the hexagonal ice crystals that form cirrus clouds which, because of quick cloud formation, have become horizontally aligned. (see also: previous cloud posts)
long distance relationships
This made me laugh louder than it should
When you work on a project with an artist for months, feel good about everything, and then they say, “What?! That is not what my work is about at all!”
And you make the changes they demand, but then they ask to go back to the first version, which was wrong last week but apparently right today.
Is it too late to completely rewrite the catalogue?
…and repeat for the rest of your life.
my headcanon here is that legolas is just BARELY visibly holding it together
since canon tells us that mirkwood elves like to party and are fully capable of passing out from drunk
so legolas is using EVERYTHING HE HAS to fuck with gimli and pretend he hasn’t a clue what it’s like to be affected by alcohol
while inside he’s all ‘sdkla;hgsj you can do this leggles you can do this’
‘don’t think about that time you blacked out from dorwinion wine while naked in the middle of an impromptu archery contest’
‘and all your friends drew orc penises on your face’‘and when you woke up you were halfway to dale without a clue as to how you got there’
‘And especially don’t think about that time you drank so much that the dwarves you were supposed to be watching escaped in the empty barrels of wine.’
‘Dad never let me hear the end of that one’
Inspired from that interview where Tom described coming back to ‘Loki’ in the Avengers after three movies post-Thor and giving the Jotun an insanely insensitive greeting.
And here they are:
Thermoception: Ability to sense heat and cold. Thermoceptors in the brain are used for monitoring internal body temperature.
Proprioception: The sense of where your body parts are located relevant to each other.
Chronoception: Sense of the passing of time. Your body has an internal clock.
Equilibrioception: The sense that allows you to keep your balance and sense body movement in terms of acceleration and directional changes.
Magentoception: This is the ability to detect magnetic fields. Unlike most birds, humans do not have a strong magentoception, however, experiments have demonstrated that we do tend to have some sense of magnetic fields.
Tension Sensors: These are found in such places as your muscles and allow the brain the ability to monitor muscle tension.
Nociception: In a word, pain. This was once thought to simply be the result of overloading other senses, such as “touch”, but it has it’s own unique sensory system. There are three distinct types of pain receptors: cutaneous (skin), somatic (bones and joints), and visceral (body organs).
For more posts like these, go visit psych2go
Psych2go features various psychological findings and myths. In the future, psych2go attempts to include sources to posts for the for the purpose of generating discussions and commentaries. This will give readers a chance to critically examine psychology.
I’m gonna write today.
I’m gonna write and I’m gonna draw.
Tim Lee’s large-scale ink drawings and paintings on rice paper are, at a first glance, tightly bound with the visual aesthetics of Chinese painting, while simultaneously referencing elements of traditional European art. The conflation of these visual cultures is unsurprising: Lee is a British artist of Chinese descent.
But the work does not just amount to a reverential homage to these past cultures. The construction of this work is a slow meditation on composition, where the artist enacts an exploration of the pictorial space (and a very physical one: at certain points moving back from the work, assessing it under altered light conditions, even making “passes” of the hand over the paper, feeling, in a literal sense, his way through the construction of the image). The works do not grow from background to foreground as in traditional painting, and are not planned as an overall image, but are in a sense unveiled through a nomadic meandering across the paper, where entire sections are completed before stepping back and deciding which direction to take next. This lack of a dominating, pre-established composition can explain why these paintings often operate best when the eye is allowed to roam slowly across the surface.